Deutsche Oper Berlin
A surreal meditation on loss and memory, Lash lingers in the echo of a vanished presence—fractured voices, flickering images, and the intimate textures of a body learning to live again.
Deutsche Oper Berlin
Olivier Py’s production grapples with empire and violence, but its chaotic staging at times drowns out Verdi’s emotional and musical clarity.
Deutsche Oper Berlin
Sondra Radvanovsky’s Tosca is heartbreakingly human—playful, vulnerable, and losing her faith—breathing new soul into a timeless, tragic role.
Deutsche Oper Berlin
A haunting, immersive Aida where memory eclipses reality and love unravels in silence—Verdi reimagined as an intimate, fractured contemporary drama.
Deutsche Oper Berlin
A richly traditional production that opens into a sharp meditation on conformity, desire, and the cost of stepping outside of social norm.
Deutsche Oper Berlin
A haunting, sand-filled descent into grief, obsession, and the weight of inherited trauma—where even wealth or pearls of wisdom won’t save you from being slowly pulled under.
Staatsballett Berlin
This production of A MIDSUMMER NIGHT'S DREAM by Staatsballett Berlin breathes fresh life into Shakespeare’s classic, blending contemporary aesthetics with timeless themes of love, power, and transformation.
Deutsche Oper Berlin
Tutti d*amore succeeds in repurposing a century-old operetta for a contemporary audience while making a strong case for operetta as a modern vehicle for social commentary.
Deutsche Oper Berlin
By stripping away the fairy tale, Kratzer reveals something far more human: the complexities of relationships, the weight of expectation, and the courage it takes to carve one’s own path.
Deutsche Oper Berlin
Spuck’s HOLLÄNDER strips away excess and focuses on the psychological and emotional turmoil at the opera’s core. The production’s minimalism enhances rather than diminishes the drama, drawing the audience into a world where obsession, fate, and redemption blur together.
Deutsche Oper Berlin
By placing TURANDOT within a rigidly controlled dystopia—where press is restricted, police surveil the public, and dissent is crushed—the opera’s otherwise fantastical premise gains a sense of political logic.
Staatsballett Berlin
What I most enjoy about Forsythe‘s work is the androgyny of the choreographies: often, male and female dancers make very similar movements, equally fierce and fluid, breaking some gendered conventions the perception of dance.