Deutsche Oper Berlin
Ab in den Ring! at Deutsche Oper Berlin (Tischlerei)
Tutti d*amore succeeds in repurposing a century-old operetta for a contemporary audience while making a strong case for operetta as a modern vehicle for social commentary.
Berlin Opera Review
Deutsche Oper Berlin
Die Frau ohne Schatten at Deutsche Oper Berlin
By stripping away the fairy tale, Kratzer reveals something far more human: the complexities of relationships, the weight of expectation, and the courage it takes to carve one’s own path.
Deutsche Oper Berlin
Der fliegende Holländer at Deutsche Oper Berlin
Spuck’s HOLLÄNDER strips away excess and focuses on the psychological and emotional turmoil at the opera’s core. The production’s minimalism enhances rather than diminishes the drama, drawing the audience into a world where obsession, fate, and redemption blur together.
Staatsoper Berlin
Merope (concertante) at Staatsoper Berlin
This concertante performance offered a glimpse into how operas were staged in the mid-18th century, a stark contrast to the productions we are accustomed to today.
Staatsoper Berlin
Elektra at Staatsoper Berlin
This ELEKTRA doesn’t just tell a story of vengeance and trauma—it makes you feel the weight of generations of women bound by duty, grief, and the remnants of a shattered world.
Deutsche Oper Berlin
Turandot at Deutsche Oper Berlin
By placing TURANDOT within a rigidly controlled dystopia—where press is restricted, police surveil the public, and dissent is crushed—the opera’s otherwise fantastical premise gains a sense of political logic.
Staatsoper Berlin
Rusalka at Staatsoper Berlin
Visually, the production is rich with unsettling imagery that redefines Rusalka’s nature. Though traces of her original water-nymph identity remain, here, she is something far more uncanny.
Staatsoper Berlin
Der Rosenkavalier at Staatsoper Berlin
Beneath the aristocratic elegance and comedic disguises, this is an opera about people—flawed, passionate, and full of contradictions. It speaks of trust, longing, and the challenge of overcoming one’s own fears.
Staatsoper Berlin
Fin de Partie at Staatsoper Berlin
Thematically, FIN DE PARTIE explores the absurdity of life, isolation and dependency, the cyclical nature of existence, and the complex dynamics of physical disability and human relationships.
Komische Oper Berlin
La Bohème at Komische Oper Berlin
This refreshing staging dismantles well-worn BOHÈME clichés, peeling away layers like an onion to expose the opera’s essential human truths: gone are the picturesque Parisian rooftops, falling snow, and festive Christmas scenes.
Deutsche Oper Berlin
Nabucco at Deutsche Oper Berlin
While the production may not have intended to make a political statement, the parallels were personally difficult to ignore. This serves as a reminder that opera, like all art, is inherently political, and exists in the context of our reality.
Deutsche Oper Berlin
Das schlaue Füchslein at Deutsche Oper Berlin
While it might appear that this is a tale for children, the story conveys very adult topics like sexuality, loss of a loved one, revenge, unfulfilled relationships, and regret late in life. As so often with children’s fairytales, two stories are being told in parallel.