Deutsche Oper Berlin
Tosca is a thriller in which an unsuspecting artist couple living in an increasingly authoritarian Rome is caught up in larger-than-life (geo)political machinations and becomes collateral damage at the hands of a politician abusing the powers of his office for personal gain.
Konzerthaus Berlin
In our lifetime, some of the operas we love and cherish will enter their 3rd or even 4th century of continuous production. So far, it has been artistic liberty in staging these operas which has kept them interesting.
Staatsoper Berlin
The production at Staatsoper Berlin is a Lars von Trier-esque fever dream fairytale: Think hyper realistic animal masks, dream-like dance sequences, emotional turmoil, haunted protagonists, and surreal asleep-or-awake ambivalence.
LaFiamma
Religious dominance is a driving motive in La Fiamma. Ultimately, we are reminded that historically, this has been the fate of tens of thousands of women who deviated from societal norm.
Deutsche Oper Berlin
There are two conflicts at the core of the Tannhäuser plot: One between the ideas of purity, love, piousness vs. lust, sexuality, profanity. The other between societal norms and expectations to behavior vs. self-actualization and pursuing “interests” deemed as undesirable.
Komische Oper Berlin
In Messias, Händel tells the story of the birth, life, death, and resurrection of Jesus Christ by stringing along bible passages to create a coherent storyline. In this production, the religious component takes a back seat, with a very worldly plot taking center stage.
Komische Oper Berlin
It was evident from their reactions that many of the contemporary references to GDR society were a hit with members of the audience that might’ve grown up in East Germany or had personal, emotional ties with.
Deutsche Oper Berlin
This opera is an excellent case study of how social conventions have evolved over the past 233 years since its first performance, when gender roles, understandings of love and marriage, and authority in general were understood vastly differently from what we have (more or less) agreed upon today.
Deutsche Oper Berlin
This production leans heavily into these tropes and paints an uncomfortable, but all too realistic picture of patriarchal sexuality and misogynist violence with rapey undertones that dominate throughout the piece.
Deutsche Oper Berlin
The main character of this opera is neither Tristan nor Isolde: it is the music. From the hints of atonality in the opening sequence, to the climactic resolution of the aforementioned chord four hours later, the music is entirely captivating and deeply moving.
Deutsche Oper Berlin
Don Giovanni tells a story not just about toxic patriarchy, but about an abuse of power displayed in the (sexual) oppression of women and working-class people at the whim of aristocratic caprice.
Deutsche Oper Berlin
With all this grand geopolitical storytelling, “Nixon in China” does not let us forget that its characters are, first and foremost, people. There‘s a lot of raw emotion and intimate personality on stage.